Daniel Hanzlík (born 1970) is a multimedia artist working with painting, drawing, photography, objects, digital images, site-specific installations, audiovisual performances and architectural realizations. The theme of the work is based on the relationship between the physical dimension of reality and the fictional world of virtual environments that influence our perception, experience and decision making. From 1989 to 1995 he graduated from the Prague Academy of Fine Arts (studio of Prof. Vladimír Kopecký). He was a scholarship holder at the Pilchuck Glass School in Seattle (1995, 1996) and at the Egon Schiele International Cultural Centre in Český Krumlov (2001). He is a recipient of the Purchace Award of Primorsko – goranska County, within the 15th International Triennial of Drawings, Modern Gallery Rijeka (Croatia, 2001) and the Corning Prize (Corning Museum, USA, 1996). Currently he is the head of the multimedia studio at the Faculty of Art and Architecture at TUL in Liberec. He has been exhibiting regularly since 1992. Among the important projects in which the artist has been represented, one can mention, for example, Foundations & Sediments. Revolt of Toys 2011 (Prague, 2011), Czech Painting of the 90th Generation. Inner Image – Appearing / Disappearing Images (Galeria Arsenale, Bialystok, Bialystok, Poland, 2017), Intermediate Memory (Galerie Rudolfinum, Prague, 2021). Prague in 2013 (Sources of Signals, GHMP – Colloredo-Mansfeld Palace, Prague), at the Central Bohemian Region Gallery in Kutná Hora in 2018 (Seeing Time, GASK, with P. Mrkus), at the House Gallery in Broumov in 2020 (On the Edges of Intervals).
Daniel Hanzlík
Images from the series Algorithm of Collapse, 2019.
Atlas, view of the exhibition, Hauch Gallery, 2017.
Reading the Waves, series of 12 paintings, acrylic on canvas, 2023.
Default Settings, video installation, 2021.
Eclipsis, real-time data projection, Rudolfinum Gallery, 2021.
Eclipsis, real-time data projection, Rudolfinum Gallery, 2021.
Continuous Transitions II, acrylic on canvas, 2018.
Controlled Unpredictability, series of 30 drawings, ink on paper, 2018.
Controlled Unpredictability, series of 30 drawings, ink on paper, 2018,
Undue Rules, video installation, 2023